What Is Waves SoundGrid And Why Do Studios Need It? – Vintage King Blog
By using SoundGrid technology from Waves , live sound engineers are able to network audio from one console to another and take advantage of plug-in processing DSP at the same time. If this is the case, why is it that predominantly live sound engineers are the only ones taking advantage of SoundGrid? Read on to learn more about the benefits of SoundGrid and discover all that it is capable of bringing to your studio. When developing Soundgrid, Waves had a few goals that they wanted to accomplish.
What Is Waves SoundGrid And Why Do Studios Need It?
November 20, , 6: This compressor shines!!! But…not really. Sort of the opposite in a good way. Its nowhere near as exaggerated and in-your-face as the EL Arouser. First impressions here, it took me a moment to adjust to how analog this thing sounded. The UAD distressor is as I thought it would be a little more true to the hardware unit. But whats crazy is how clean this thing is. I have it on a female vocal right now. For those of you who use other distressor emulators, the Dist 2 vs Dist 3 not only varies the amount of distortion, it changes the harmonic emphasis.
There is a lot of other stuff changing under the hood when you turn the release knob. Sort of like interactive EQ on a guitar amp or Pultec clone.
This is a really strait-forward plugin for anyone familiar with the hardware. The problem is that the hardware is not strait-forward. To really know a distressor, you need a LOT of time to experiment, and you DO need to read the manual.
They nailed the optical mode. The optical mode on the Distressor was really designed to emulate other optical limiters. There is a noticable audible difference between the UAD and the optical mode. Once I dialed in the UAD distressor, I then went back, muted it, and attempted to matched the Slate distressor as closely as possible.
When the input was hitting at db in the softer parts of the verse, the Slate was pegging at almost db. I tried adjusting the gain on the Slate to where the output was cranked, and the gain input was backed off to db of GR. The harmonics and warmth disappear. Its not just a matter of the Slate meters calibrated inaccurately. The entire signal chain in the Slate unit is flawed to where the whole thing digs into the source too hard. At that point, its somewhat debatable whether the Slate distressor is really a distressor on a functional level.
I listened to comparisons of the Waves API vs UAD before I bought it and the Waves version didn’t have any of the mojo and width that I. APIA EQ Shootout Review vs Waves vs UAD emulations. Compare, Blind test yourself. In this video, Pro Tools Expert Deputy Editor Dan Cooper tests the limiter and compressor performances of the CLA-2A plug-in by Waves and.
UAD vs Waves
November 20, , 6: This compressor shines!!! But…not really. Sort of the opposite in a good way. Its nowhere near as exaggerated and in-your-face as the EL Arouser.
SOUND ON SOUND
They’re not as painstakingly modeled as the more recent plug-ins. Waves were later to the party and some of the emulations of the same gear are better.
The top two contenders are the Waves SoundGrid Server solution, vs. the Soundcraft marketed UAD Realtime Rack Core unit that is sold as a. In Pro Tools he was using the Waves SSL Channel Strip plugin to mimic what he I prefer the UAD one the Slate Digital is great too. etc). I’ve used Waves r-bass and max bass for a long time. I was looking for a similar tool than Waves Maxxbass, universal audio decided to November 14,
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